J 2020

In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965

RUSINKO, Marcela

Základní údaje

Originální název

In the “Public Interest”? Dispossessing Art Collections in Communist Czechoslovakia Between 1948 and 1965

Autoři

RUSINKO, Marcela

Vydání

Acta historiae artis Slovenica, Ljubljana, Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU, 2020, 1408-0419

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Stát vydavatele

Slovinsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

Organizace

Filozofická fakulta – Masarykova univerzita – Repozitář

EID Scopus

2-s2.0-85094873416

Klíčová slova anglicky

Dispossessions; Communist Czechoslovakia; Art Collecting; Modern Art; National Gallery in Prague; Vincenc Kramář; Václav Butta; Rudolf Barák; František Čeřovský; Emil Filla

Návaznosti

GA20-09541S, projekt VaV.
Změněno: 10. 4. 2021 01:48, RNDr. Daniel Jakubík

Anotace

V originále

In the first decade after 1948 Communist coup d'état, private art collecting in Czechoslovakia experienced a great deal of ideologically motivated oppression. The targeted, systemic actions against representatives of the bourgeoisie, former social elites, who had hitherto been the vehicles of this art collecting phenomenon, were taken. The persecution peaked in 1959 and 1960 by exemplary trials with eminent pre-war art collectors. This provoked the extensive wave of violent dispossessions of private artistic assets, the significant mobility of prominent and large art collections from private to public sphere in the late 1950s and early 1960s. The article concerns several pattern cases of trials, resulting in the confiscation of property, the enrichment of the leading public collections and exemplary punishment and also cases of other "soft" ways of dispossessing individuals through the s. c. legally forced “gift” / “donation” of art equivalent in value to an inheritance or property tax that had been levied.

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