Přehled o publikaci
2022
The Sociological Truth of Fiction: The Aesthetic Structure of a Novel and the Iconic Experience of Reading
VÁŇA, JanBasic information
Original name
The Sociological Truth of Fiction: The Aesthetic Structure of a Novel and the Iconic Experience of Reading
Name (in English)
The Sociological Truth of Fiction: The Aesthetic Structure of a Novel and the Iconic Experience of Reading
Authors
VÁŇA, Jan
Edition
Cham, p. 111-139, 29 pp. Cultural Sociology book series (CULTSOC), 2022
Publisher
Palgrave Macmillan
Other information
Type of outcome
Chapter(s) of a specialized book
Confidentiality degree
is not subject to a state or trade secret
Publication form
electronic version available online
References:
Organization
Repository – Repository
ISBN
978-3-031-13226-1
Keywords in English
Sociology of literature; Strong program; Iconicity; Social aesthetics; Structural aesthetics; Resonance
Changed: 26/3/2023 05:19, RNDr. Daniel Jakubík
V originále
Following the strong program in cultural sociology, I propose a literary turn to recognize literary texts “as relatively autonomous cultural entities” with their own agency. This chapter is part of a larger project connecting cultural sociology with the sociology of literature and literary theory to develop a strong program in the sociology of literature. Instead of approaching literary fiction as an object of analysis, sociology and literature can contribute to social knowledge in a symmetrical way, where fiction is not devalued vis-à-vis social scientific inquiry. Just the opposite: recognizing the specificities of literary communication, we can access textures of social life that are only barely graspable by sociology. A crucial step is to examine how social knowledge comes into existence when reading a fictional text. Embracing the structural aesthetics of Jan Mukařovský, I modify the concept of iconicity to capture the iconic experience of reading through which literature mediates social experience that is iconic of broader social phenomena. Building on social aesthetics, I discuss implications of my model for social theory, textual representation, and sociological explanation in general.
In English
Following the strong program in cultural sociology, I propose a literary turn to recognize literary texts “as relatively autonomous cultural entities” with their own agency. This chapter is part of a larger project connecting cultural sociology with the sociology of literature and literary theory to develop a strong program in the sociology of literature. Instead of approaching literary fiction as an object of analysis, sociology and literature can contribute to social knowledge in a symmetrical way, where fiction is not devalued vis-à-vis social scientific inquiry. Just the opposite: recognizing the specificities of literary communication, we can access textures of social life that are only barely graspable by sociology. A crucial step is to examine how social knowledge comes into existence when reading a fictional text. Embracing the structural aesthetics of Jan Mukařovský, I modify the concept of iconicity to capture the iconic experience of reading through which literature mediates social experience that is iconic of broader social phenomena. Building on social aesthetics, I discuss implications of my model for social theory, textual representation, and sociological explanation in general.