Přehled o publikaci
2020
Santi dipinti in Cappadocia e nelle isole greche : Per un'analisi comparata dei santorali nelle pitture di eta medio-bizantina
BORDINO, ChiaraZákladní údaje
Originální název
Santi dipinti in Cappadocia e nelle isole greche : Per un'analisi comparata dei santorali nelle pitture di eta medio-bizantina
Název anglicky
Saints depicted in Cappadocia and the Greek islands : A comparative analysis of the series of saints in the paintings of the Middle Byzantine age
Autoři
BORDINO, Chiara
Vydání
Rivista di studi bizantini e neoellenici, Roma, Istituto di studi bizantini e neoellenici, Università di Roma, 2020, 0557-1367
Další údaje
Jazyk
italština
Typ výsledku
Článek v odborném periodiku
Stát vydavatele
Itálie
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Organizace
Filozofická fakulta – Masarykova univerzita – Repozitář
Klíčová slova anglicky
saints; Middle Byzantine; Cappadocia; Greek islands; paintings; series of saints; 11th century; mural paintings; middle-Byzantine
Návaznosti
CZ.02.2.69/0.0/0.0/17_050/0008496, interní kód Repo. EF17_050/0008496, projekt VaV.
Změněno: 18. 3. 2025 00:51, RNDr. Daniel Jakubík
V originále
The paper provides a joint analysis of the sequences of saints in the painted decorations of Cappadocia from the 9th to the 11th century and of some Greek islands in the 11th and 12th centuries. The rich pictorial heritage of rupestrian Cappadocia can be considered as a privileged observatory to investigate the development of the series of saints in middle-Byzantine painting. The comparative investigation of the decorations of Cappadocia and of the islands allows to detect common Constantinopolitan trends, similarities and specific choices due to the historical and cultural context and to the will of patrons, both in the selection of saints and in their arrangement within the ecclesiastical space.
Anglicky
The paper provides a joint analysis of the sequences of saints in the painted decorations of Cappadocia from the 9th to the 11th century and of some Greek islands in the 11th and 12th centuries. The rich pictorial heritage of rupestrian Cappadocia can be considered as a privileged observatory to investigate the development of the series of saints in middle-Byzantine painting. The comparative investigation of the decorations of Cappadocia and of the islands allows to detect common Constantinopolitan trends, similarities and specific choices due to the historical and cultural context and to the will of patrons, both in the selection of saints and in their arrangement within the ecclesiastical space.
