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@inbook{33874, author = {Zapletal, Miloš}, address = {Turnhout}, booktitle = {Nineteenth-Century Programme Music: Creation, Negotiations, Reception}, editor = {Jonathan Kregor}, keywords = {Janáček; Czech music; programme music; hermeneutics; music criticism; suite; idyle;}, howpublished = {tištěná verze "print"}, language = {eng}, location = {Turnhout}, isbn = {978-2-503-58346-4}, pages = {359-378}, publisher = {Brepols}, title = {On the Programmatic Character of Janáček’s Suite Compositions from the 1870s}, year = {2018} }
TY - CHAP ID - 33874 AU - Zapletal, Miloš PY - 2018 TI - On the Programmatic Character of Janáček’s Suite Compositions from the 1870s VL - Speculum musicae 32 PB - Brepols CY - Turnhout SN - 9782503583464 KW - Janáček KW - Czech music KW - programme music KW - hermeneutics KW - music criticism KW - suite KW - idyle; N2 - This study focuses on the programmatic aspects and reception of Leoš Janáček’s Suite (1877) and Idyll (1878), two suites for string orchestra which represent the peaks of the early period of his compositional work. Since the beginning of the twentieth century, they have been almost invariably regarded as pieces of absolute music. The objective of this study is to demonstrate that Suite and Idyll were regarded in programmatic terms by some of the contemporary critics attending their earliest performances, especially by Berthold Žalud (1856–1886), an important musical critic, Janáček’s friend and devoted admirer. Both compositions were generally interpreted as works in which the musical image of the Romantic landscape intermingles with that of Janáček’s inner self. The expressions and imagination of those programmatic interpretations draw on the period Czech pseudo-Romanticist fiction literature and corresponded with contemporary manners of Czech music criticism: the interpretation of new pieces of absolute music in programmatic terms. It is likely that the initial ideas underpinning the programmatic interpretations of the Suite and Idyll originated directly with Janáček. ER -
ZAPLETAL, Miloš. On the Programmatic Character of Janáček’s Suite Compositions from the 1870s. In Jonathan Kregor. \textit{Nineteenth-Century Programme Music: Creation, Negotiations, Reception}. Turnhout: Brepols. s.~359-378. Speculum musicae 32. ISBN~978-2-503-58346-4. 2018.
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